Beluga Days (1968)
Overview
From the lower St. Lawrence, a picture of whale hunting that looks more like a round-up, with a corral, whale-boys and all. In 1534, when he stopped at the island he named l'Île-aux-Coudres, Jacques Cartier saw how the Indians captured the little white beluga whales by setting a fence of saplings into off-shore mud. In the film, the islanders show that the old method still works, thanks to the trusting 'sea-pigs,' the same old tide, and a little magic.
Production Companies
Additional Info
| Budget | $0.00 |
|---|---|
| Revenue | $0.00 |
| Original Language | fr |
| Popularity | 0.561 |
Directed By
Michel Brault
Bernard Gosselin
Pierre Perrault
Crew
Michel Brault
Bernard Gosselin
Pierre Perrault
Jacques Bobet
Guy L. Coté
Claude Pelletier
Serge Beauchemin
Jacques Jarry
Alain Dostie
Gilles Blais
Clorinda Warny
Co Hoedeman
Aimé Gagnon
Raymond Gagnon
Jean-Baptiste Gagnon
Michel Brault
Bernard Gosselin
Pierre Perrault
TOP CAST
Similar Movies
Cop Class
First look inside the walls of Quebec police’s training grounds and the realities of our next generation of police officers.
No Address
This feature-length documentary by Alanis Obomsawin examines the plight of Native people who come to Montreal searching for jobs and a better life. Often arriving without money, friends or jobs, a number of them quickly become part of the homeless population. Both dislocated from their traditional values and alienated from the rest of the population, they are torn between staying and returning home.
The Disunited States of Canada
Secessionnist movements in Canada outside Quebec.
Malartic
Ten years after an enormous open-pit gold mine began operations in Malartic, the hoped-for economic miracle is nothing more than a mirage. Filmmaker Nicolas Paquet explores the glaring contrast between the town’s decline and the wealth of the mining company, along with the mechanisms of an opaque decision-making system in which ordinary people have little say. Part anthropological study, part investigation into the corridors of power, Malartic addresses the fundamental issue of sustainable and fair land management.
VOÏVOD: We Are Connected
From unlikely origins in northern Québec at the height of the Cold War, Voïvod’s post-apocalyptic sci-fi aesthetic, fuelled by a youthful obsession with their instruments, took them from underground success to sharing dates and tours with Iron Maiden, Rush, and Metallica. Despite adversity, and perhaps by cosmic intervention or just serendipity, Voïvod found guitarist Daniel “Chewy” Mongrain; subsequently, the band re-ignited their engines and laid a course back to Morgöth via numerous live shows around the world, a comeback album in Target Earth, singles, EPs, and finally, the late-career triumph, The Wake. In 2019, Voïvod were recognized by the Canadian Academy of Recording Arts and Sciences with a Juno Award for best hard rock/metal album of the year for The Wake.
Fog in February
On the eve of the publication of a biography of Claude Jutra, one of the most famous and celebrated filmmakers in Quebec and Canada, a leak leaked to the press reveals that the book contains anonymous allegations of pedophile acts committed by the filmmaker. The rumor spread like lightning, suddenly igniting the entirety of Quebec society. By finding today some of the main witnesses propelled overnight into the heart of an unparalleled media tornado, the documentary reconstructs with archive images and other previously unpublished images, the sequence of events which led to a rewriting of the story.
Where the Land Ends
A documentary that explores what it means to be a young person in Quebec after the dissolution of the Quebec sovereignty movement.
The Rose Family
In October 1970, members of the Front de Libération du Québec (FLQ) kidnapped Minister Pierre Laporte, triggering an unprecedented crisis in Quebec. Fifty years later, Félix Rose tries to understand what could have led his father and uncle to commit such acts. Thanks to the confidences of his uncle Jacques, who agrees for the first time to speak on the subject, and to the precious traces left by his father Paul, he revives the rich heritage of a Quebec working family and gives back to the October crisis its social dimension. The fruit of ten years of research, Les Rose allows us to revive moments and characters that we only knew through a few clichés, and gives a glimpse of the social blockage experienced by a rebellious youth and the upheavals that followed.
A Day in June
This short documentary profiles Saint-Jean-Baptiste Day parade in Montreal in 1959. The annual parade takes place every June 24th in memory of Saint-Jean-Baptiste, the patron saint of Québec. Candid shots of youngsters preparing their costumes for the festivities are partnered with a lively jazz soundtrack. All the Montrealers and out-of-town tourists featured in this film avidly participate in a public festivity that is dear to their hearts.
Un pays sans bon sens!
Essay-film on a crucial issue: the notion of belonging to a country. Lingered sentimentalism or deep psychological reality if one believes it is rooted in the heart of man? The action here takes place in the context of a nation that seeks: the French Canadians, and other people without a country: the Indians of Quebec, the Bretons of France. And here is the fundamental question posed: what are the "viable" peoples whose "maturity" allows them to "give" the autonomy and territory? And what is the environment that people can call "their country"?
Canadian Carnival
Carnival time in Quebec, Canada, is also time for racing with sled-dogs, horse-drawn sleighs, hockey, curling the carving of ice-statues, obstacle races by youngsters, fireworks, and also the selection of a Carnival Queen.
My Friend Dino
After spending 4 years in prison for drug trafficking, Dino tastes fame by interpreting the godfather of the mafia in the TV series Omerta. Now 72 years old, he's preparing for a role that could be his last. Somewhere between reality and fiction, My Friend Dino offers a special access to the universe of this likable anarchist.
A Song for Quebec
Produced in 1988, this feature documentary presents a living history of Quebec's last 40 years as seen through the eyes of one couple. Pauline Julien and Gérald Godin, two Quebec artists, share their perspectives on the events that have marked Quebec's evolution. Julien, a singer, and Godin, a poet, express their love and passion for the province (and each other) while providing a unique take on the Quebec nationalist movement.
